SYNESTHETIC
COMMUNICATION
The Theoretical Framework of
Synesthetic Communication
Communication, in its broadest sense, transcends verbal exchange. It is a dynamic, multi-sensory process that unfolds in layers of perception, interaction, and meaning-making. Traditional communication models focus primarily on verbal and nonverbal modalities, often overlooking the deep interplay of sensory, emotional, and cognitive elements that shape human interaction. The Synesthetic Communication Framework proposes an expanded perspective: communication as a polyphonic, multi-sensory, and reflexive process that operates within and beyond conventional language structures. This framework builds on principles of synesthetic perception, reflexive music, polyphonic interaction, and infinite playfulness, offering a new lens through which to understand and cultivate meaningful connection.
We live inside stories built from words, rhythms, colors, and pauses. Communication appears linear on the surface, moving from sound to meaning, from speaker to listener. But underneath, there’s a deeper current—a hidden architecture—woven from movement, touch, color, and breath. This is Synesthetic Communication, a multidimensional dialogue that flows across the senses, where a sound can carry weight, a color can whisper, and rhythm can ground us in time.
Core Principles of Synesthetic Communication
Multi-sensory Integration in Communication
Synesthetic Communication suggests that all communication is inherently multi-sensory—not simply limited to spoken language, body language, or written text, but rather an interwoven experience of sight, sound, movement, rhythm, and emotional resonance. Inspired by synesthesia, where one sensory experience involuntarily triggers another (e.g., seeing colors when hearing sounds), this framework posits that communication naturally involves cross-sensory perception, allowing deeper attunement between communicators.
Synesthesia, where senses blend into one another—sounds become colors, emotions become textures—may seem rare, but it’s closer than we think. It’s not a neurological quirk; it’s a doorway into sensing the world more fully. Imagine feeling someone’s words as a pulse or sensing their presence as a change in light. This is the essence of cross-sensory listening.
Cross-Sensory Perception and Interaction
Cross-sensory perception expands on multi-sensory integration by emphasizing the fluid and dynamic way sensory inputs interact and transform within communication. This process involves the ability to translate and reinterpret meaning across different sensory channels—such as feeling the texture of a sound, sensing rhythm in a visual pattern, or experiencing emotion as movement. The ALP/Playground Approach actively engages participants in exercises that cultivate this perceptual flexibility, enabling richer and more inclusive modes of communication.
Reflexive Music and Polyphonic Conversation
Communication, like music, unfolds in layers of meaning and interaction. Reflexive Music—music that exists as an ongoing, evolving interplay rather than a fixed structure—mirrors the fluidity of communication. This model extends to Polyphonic Conversation, where multiple perspectives, rhythms, and emotional tones coexist and shape dialogue dynamically. Within this polyphony, each participant contributes their voice, not in a linear back-and-forth but in a simultaneous and evolving interplay of meanings.
In the ALP/Playground, we practice tuning into these hidden layers—listening to the color of a voice, watching the rhythm of a gesture, sensing the tension and release in a shared moment.
The Joinment Space: Communication as an Infinite Playground
The Synesthetic Communication Framework situates interaction within what is called the Joinment Space—a conceptual space where communicators become attuned to one another through shared engagement in the flow of interaction. Unlike traditional sender-receiver models, this approach views communication as an emergent, participatory process where meanings are co-created, transformed, and played with. The OperaGame Model (Find-Play-Share-Create) serves as the operational structure guiding communicative engagement, reinforcing that meaning is not transmitted but generated through interaction.
The Structure of Synesthetic Communication
I-YOU-WE-WORLD Perspectives
Building on dialogical philosophy and interpersonal neurobiology, Synesthetic Communication is structured around four interacting perspectives:
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I: The individual’s internal awareness, perception, and interpretation.
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YOU: The attuned interaction with another person, engaging in mutual perception.
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WE: The shared communicative flow, where meaning emerges dynamically.
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WORLD: The broader cultural, environmental, and collective influences shaping communication.
These perspectives function fluidly, with communicators shifting between them to engage in a relational, rather than transactional, exchange of meaning.
The OperaGame Model (Find-Play-Share-Create)
The OperaGame Model follows a circular, dynamic, and polyphonic progression, where each stage both builds on and transforms the previous, creating an infinite loop of awareness, interaction, and co-creation. It can be described as:
FIND → PLAY → SHARE → CREATE → (loops back to FIND, endlessly evolving)
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FIND – Becoming aware of a moment as a 'treat'
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Recognizing an element in the environment, an impulse, or a sensory/musical/expressive 'cue' as an invitation to engage.
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This step is reflexive: What do I notice? What do I know?
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PLAY – Paying attention, observing, and interacting
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Entering a state of dynamic flow with the 'treat' and exploring its properties through playful engagement.
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This step is interactive: What happens when I engage with it? What do I need?
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SHARE – Establishing a shared flow and deepening the connection
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Communication expands as others are brought into the experience, forming a Joinment Space where perspectives intertwine.
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This step is relational: What do I ask for? How does this interaction shape the collective experience?
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CREATE – Generating new meaning, perspectives, and possibilities
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The experience is transformed into something new, shaping future interactions and inviting new rounds of playfulness.
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This step is generative: What do I invite others to co-create with me? What new connections emerge?
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The cycle repeats: Each creation becomes a new ‘treat’ to be found, inspiring the next iteration of play.
This progression mirrors Reflexive Reality, where multiple layers of perception unfold simultaneously, much like a polyphonic composition—varied yet interconnected voices shaping a continuously evolving whole. There is no absolute point ZERO, only an infinite unfolding of OperaGames, each moment both distinct and connected.
Communication is not linear but follows a polyphonic cycle, ever-changing and non-repetitive, generative, and evolving, following four recursive stages:
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Find – Becoming aware of a communicative moment as a 'treat' or a meaningful event.
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Play – Engaging with the moment dynamically, experimenting with expression and interaction.
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Share – Establishing mutual resonance, refining understanding through collaborative meaning-making.
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Create – Transforming the interaction into something new, inviting further engagement and interpretation.
Synesthetic Communication lives in the interplay between moment, flow, and structure—three dimensions that create the conditions for infinite play.
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Moment: The spark, the raw input of experience: a sound, a flicker of light, a sudden motion.
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Flow: The thread that weaves those moments into rhythm and movement, carrying us forward.
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Structure: The frame that holds everything together, a map for playful interaction and shared creation.
This model challenges the idea of a fixed 'starting point' in communication, reinforcing that meaning is always in motion—there is no zero point, only continuous unfolding.
Applications and Empirical Exploration
The ALP/Playground Approach is a practical application of Synesthetic Communication principles, designed to foster deep interpersonal connection through multi-sensory, reflexive, and polyphonic engagement. By immersing participants in dynamic, playful environments, the approach enables communication beyond words, integrating sensory perception, movement, rhythm, and shared flow. This approach is particularly beneficial in therapeutic, educational, and artistic settings, where conventional language structures may be limiting or insufficient. Below are key applications of the ALP/Playground Approach.
In Therapeutic Settings
Synesthetic Communication provides a framework for enhancing deep interpersonal connection, particularly in populations where traditional verbal communication is limited. In therapy with autistic individuals, for example, it validates and expands nonverbal, sensory-based, and reflexive forms of expression, promoting attunement and co-regulation beyond words.
In Education and Development
For educators and parents, this approach offers new strategies for fostering meaningful interaction with children by engaging in multi-sensory and playful communication. Exercises such as GIBBREISH IT encourage parents to attune to their child’s speech patterns and rhythms, rather than imposing corrections, fostering greater mutual understanding and trust.
In Arts, Performance, and Community Building
Projects such as Noise Orchestra and The Whispers of Jaffa explore how synesthetic, multisensory engagement can be harnessed for artistic and social impact. By framing artistic collaboration as a polyphonic conversation, creative practitioners can foster emergent, participatory, and deeply immersive experiences.
Research and Future Directions
To solidify Synesthetic Communication as a theory, empirical research is necessary to validate its principles. Key research initiatives include:
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Observational and case studies (e.g., ALP/Playground sessions, parent-child interactions, therapeutic engagements).
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Quantitative studies using playfulness scales and interaction mapping to measure shifts in communicative attunement.
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Comparative studies testing this framework against existing communication models to assess effectiveness in fostering deeper interpersonal connection.
Synesthetic Communication invites us to listen with our whole being—to sense the hidden textures of connection and co-create in a shared, multidimensional space. It calls us beyond words into a living dialogue of moment, flow, and structure, to rediscover a primal language humming gently in the 'In-Between,' always ready to be found, played, shared, and created anew.
"While structured and choreographed, the music allows for a degree of freedom that both provides room for personal expression and demands a higher sense of aesthetic responsibility from each performer. "
- Nina Colosi, Streaming Museum
"In her compositions, Rosenbaum employs pre-recorded soundtracks, live electronics, contemporary notation, and her signature conducting-via-earphones technique and the Reflexive Music tools as she calls it. "
- Theresa Sauer, Notation 21